The Beholder

The making of a portrait is an intimate experience, one which can be a pleasurable event for both parties or one that’s fraught with difficulties. In a world where anyone can make a realistic likeness on their mobile phone, the relative heft of a painted portrait is significant: it is a symbol of power and prestige and will ultimately stand as a memorial. These themes and many others are explored through the work of three of Ireland’s most notable portrait painters: James Hanley, Mick O’Dea and Brian Maguire. Conor Horgan’s witty documentary follows each artist as they create new work, providing an illuminating insight into their individual creative processes.